ELLA SARAX reviews Milica Tomović’s debut feature, Celts, considering its search into post-war Serbian minds. Celts (2021) is the debut feature film of Serbian..
WILL PALMER contemplates Céline Sciamma’s portrayal of childhood and grief in her latest film, Petite Maman. The most impressive part of Céline Sciamma’s Petite Maman..
BEN FRITH reviews the tenth anniversary revival of Tender Napalm at the King’s Head Theatre. ‘Woman’ and ‘Man’ dance with each other, sometimes apart,..
ZOSIA KIBAŁO reviews Vanara: The Legend at the Hackney Empire, exploring its message of unity and togetherness. Forest sounds echoed from the stage as I..
ALEX DARBY reviews Kae Tempest’s Paradise (2021) at the National Theatre. Kae Tempest’s Paradise boldly reworks Sophocles’s Philoctetes (409 BC) bringing it into the..
ALEX DARBY reviews Lolita Chakrabarti’s Hymn (2021) at the Almeida. Lolita Chakrabarti’s Hymn is a story of platonic love between two black men. This..
ELLIE LACHS reviews Paperboy at the Camden Fringe 2021. Paperboy, written by Eve Lytollis, is a raucous, albeit cantankerous play which aims to shed light..
TEREZA BLAHOVA reviews Artemisia at the National Gallery, and considers the importance of representing narratives that have typically been excluded from art history. trigger..
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