The 2021 Ingram Prize and the Accessibility of Contemporary Art
ANGELICA NGAI considers the artworks shortlisted for the 2021 Ingram Prize, detailing the appreciation they have for artworks that directly reflect our contemporary moment. How..
AYAZ KHEZRZADEH explores the documentary photography of Lynsey Addario, discussing how this photojournalist locates a sense of composure in scenes of crises.
Review: Tunji Adeniyi-Jones’ ‘That Which Binds Us’
ZOSIA KIBALO reviews Tunji Aeniyi-Jones’ ‘That Which Binds Us’, at the White Cube Bermondsey. Tunji Aeniyi-Jones’ first solo show, stretching across two rooms in the..
MATTEA CARBERRY reviews Catherine Yass’s Falling Away at Ambika P3. Catherine Yass’s film installation, Falling Away, immerses the viewer in a world that subverts our..
GEORGE DENNIS visits Estorick Collection Uncut, considering the presentation of abstract, politically charged modern Italian art. To saunter through galleries on a rainy day is..
LAURIE MILTON-JEFFERIES and RUBY ANDERSON chat to British artist GAVIN TURK about Piscio d’Artista, a project in which Turk sells cans of his own urine..
MICH ROSSITER reviews Charlotte Perriand: The Modern Life at The Design Museum. Charlotte Perriand: The Modern Life is an expansive and overdue celebration of..
MARISA BECIROVIC reviews No Comply at Somerset House, as skateboarding pushes into the spotlight. Weave your way past Yinka Ilori’s lime coloured mesh booths and the dodgems..
MATILDA SYKES reviews Naturally Brilliant Colour at Kew Gardens, an exhibition that demonstrates the dazzling visual power of Pure Structural Colour and celebrates its..
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