WILL PALMER reviews Marie Antoinette, Sofia Coppola’s candy-coloured homage to the misunderstood French queen. As part of the BFI Southbank’s Seen & Heard season, celebrating..
MATTEA CARBERRY reviews House of Hummingbird, Kim Bora’s tender exploration of a young girl’s precarious coming of age within her challenging environment. Set in..
MATTEA CARBERRY reviews Memoria, an immersive, sensorial film starring Tilda Swinton. In its opening shot, Memoria (2021) places us in the dark with Jessica, shrouded..
HANNA BERNARD reviews Licorice Pizza, which has earned director Paul Thomas Anderson Best Picture and Best Director nominations at the Academy Awards this year. With..
WILL PALMER reflects on the career of influential French New Wave director, François Truffaut, in his review of the BFI Southbank’s latest season dedicated to..
FREDA CHAN outlines the BFI Southbank’s latest film season, ‘Seen & Heard: Daring Female Coming-Of-Age Films’, running now. In its current film season, the..
BRYAN WANG discusses Joel Coen’s latest film, The Tragedy of Macbeth, reimagining the gloom of Shakespeare’s classic tragedy. Winter had quite perniciously dawned upon..
ELLA SARAX reviews Milica Tomović’s debut feature, Celts, considering its search into post-war Serbian minds. Celts (2021) is the debut feature film of Serbian..
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