ISABELLE OSBORNE reviews the documentary David Attenborough: A Life on Our Planet, which was recently released on Netflix. David Attenborough has had an incredible..
ANAMIKA NORMAND and CHLOE BELLIS review Sébastien Lifshitz’s documentary Little Girl which premiered in the UK as part of Camden Market’s open air cinemas, done..
SHANTI GIOVANNETTI-SINGH reviews Bong Joon-ho’s 2003 feature film, Memories of Murder which was recently screeened as part of Camden Markets open air cinemas, done in..
VALERIA ROCCA explores the misrepresentation of teenage girls in cinema. Since the 1980s, thousands of Hollywood teenage-dramas have exploited the same archetypes and storylines in..
MATILDA EKSTRÖM reviews Christopher Nolan’s 11th feature Tenet, exploring its gender representations. Christopher Nolan’s new film Tenet is grand and engaging, especially in a time..
JARVIS CARR reviews Douglass Trumbull’s Sci-Fi Classic Silent Running. Over the past several months, at one point or another, we have all inevitably been faced..
FARIDA EL KAFRAWY reviews Caleb Yule’s documentary, Stories From Silk Island, which follows the lives of children with disabilities on the Cambodian Island of Koh..
PHYLLIS AKALIN reports on UCL’s LGBT+ Network’s Stonewall Screenings, exploring what the selected films can teach us about intersectionality and their relevance to the BLM..
SHANTI GIOVANNETTI-SINGH reviews George Tillman Jr’s The Hate U Give. There is a particular poignancy which arises from works of fiction that resemble reality. Watching..
ALICE DEVOY reviews Oliver Hermanus’s film set on the frontiers of South African Apartheid. ‘You aren’t people any more. You are scabs: flaky, yellow, pus-filled..
FARIDA EL KAFRAWY reviews Philippa Ndisi-Herrmann’s 2018 documentary, New Moon, chronicling her conversion to Islam. What begins as an audiovisual journey, charting the changing landscape and cultural..
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