JEAN WATT discusses how the stability of public sculpture can provide some comforting tangibility in a time where our reality is more virtual than we..
MARISA BECIROVIC tackles the age-old question of the origins of artistic genius, musing on whether it is the result of one’s environment or something more..
VINNY SANDHU revisits Priya Ahluwalia’s Jalebi, a collection of photographs documenting the lives of residents in Southall which reflect on the importance of this area..
MARISA BECIROVIC reviews Sin at the National Gallery, reflecting on how our contemporary conception of sin has strayed from its historical underpinnings. Wrongdoings, misdeeds..
EMMA GABOR discusses the work of eighteenth-century painter Carl Spitzweg, linking the emergence of the Biedermeier period in Germany to the burgeoning of his artistic..
RUBY ANDERSON interviews ZLATA MECHETINA, site manager of Ziferblat London, a newly founded creative community hub and coworking space. They discuss the future of the..
JEAN WATT reviews the Bruce Nauman exhibition at Tate Modern, detailing how this bombardment on the senses is simultaneously humorous yet disarming. Over and..
Review: Refugees: Forced to Flee at the Imperial War Museum
IZZY DAVIES reviews Refugees: Forced to Flee at the Imperial War Museum, considering implications of voyeurism and sensationalism in the representation of such individuals. Right..
where’s the frame? describes itself as a one-stop URL for discovering and learning about vanguard art. Providing a unique understanding of, and affiliation with, the..
TEREZA BLAHOVA reviews Artemisia at the National Gallery, and considers the importance of representing narratives that have typically been excluded from art history. trigger..
ISABELLA JAKOBSEN reviews the Dóra Maurer exhibition at the Tate Modern, considering how Maurer’s practice is imbibed with the idiosyncrasies of Hungarian artistic production. Does..