OLIVIA BOUZYK explores the intersection of memes and manuscript marginalia. Memes are an all too relatable aspect of our everyday life in this hyper-visual internet age...
NATALYA FALCONER reviews ‘Rachel Whiteread’ at Tate Britain. Can the concept of quiet art exist? Art that is not highly vocal, teetering between a murmur and..
KAITLIN FRITZ discusses Margy Kinmonth’s 2016 release, Revolution: New Art for a New World. Margy Kinmonth’s Revolution: New Art for a New World illustrates the artistic triumphs..
Kay Ean Leong explores the enduring impact of Cristobal Balenciaga through the lens of the V&A’s current exhibition. What is so striking about the Victoria..
Caitlin Allen discusses the iPad and its impact on modern art. Digital technology is continually influencing and redefining what constitutes ‘art’, and developing an endless..
Hannah Woods reviews the surrealist exhibition Dreamers Awake, at the White Cube in Bermondsey. Dreamers Awake is a contemporary exploration of Surrealism and the surreal. The..
EMILY LUPTON reviews ‘What I Like’, an interactive exhibition by fashion designer Molly Goddard at the NOW Gallery. Fashion can seem intimidatingly serious and exclusive. Something..
SELMA REZGUI speaks with Misia-O’ about her photography project Trans-It-I-On. Trans: transformations, transcendence, trans It: How to define “it”? what is transgenderism? I: I am..
ISABELLE BUCKLOW reviews ‘The Vulgar: Fashion Redefined’ at the Barbican. Vulgar. When spoken aloud the word embodies a gross physicality that entails a snarl of..
EDWARD CHRISTIE discusses whether the Royal Academy’s ‘Abstract Expressionism’ reflects the fundamental humanity its white, male artists claimed to represent. Lauded by the critic Jackie..
SELMA REZGUI reviews ‘The Infinite Mix’ at The Store for BLACK HISTORY MONTH. The Infinite Mix: Contemporary Sound and Image is a collaborative exhibition presented..
IZZY BUCKLOW reviews William Eggleston’s retrospective at the National Portrait Gallery and explores his enduring allure. William Eggleston is in the air. His is not..
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