IMOGEN DICKINSON reviews Kano’s 2019 performance at the Royal Albert Hall in light of Kano’s Mercury nomination for his album, Hoodies All Summer. Last October..
THEA RICKARD reflects on the musical prowess and themes of womanhood in Laura Marling’s music, following the Mercury nomination for her new album, Song For..
TOM WHEATLEY looks at how urbanisation is reflected upon in music. With the urbanisation and gentrification of existing cities and large towns everywhere, and with..
DAISY GRAY reviews Bananagun’s debut album, The True Story of Bananagun. Australia has produced some of my favourite bands in recent years – King Gizzard..
TOM WHEATLEY reviews the 10th anniversary reissue of The Joy Formidable’s debut EP A Balloon Called Moaning. After an astoundingly successful decade of rumbling riffs..
ENERZAYA GUNDALAI explores the relationship between Berlin and techno. With techno, there is nothing in between: you either love it, or hate it with your..
MANASVINI MONI discusses The Weeknd’s My Dear Melancholy. Until My Dear Melancholy, Abel Tesfaye (known by his stage name, The Weeknd) had not released an..
DARCY BOUNSALL reviews IDLES’ Joy as an Act of Resistance. Bristol-based punk outfit IDLES’ Joy as an Act of Resistance. is the swift follow-up to their..
CHARLOTTE GUO reviews her album of 2018 Insecure Men by Insecure Men. The story of Insecure Men starts with a primary school friendship in Herne Hill,..
MARC BARNARD reviews his album of 2018: Julia Holter’s Aviary. Aviary bursts into being with a four-minute extended crescendo; a feverous din of strings, keys..
PREETHOM PAL reviews Earl Sweatshirt’s new album, Some Rap Songs. I always think I have Earl pinned down, but his latest release brings yet more intrigue..
THOMAS CURY reviews singer-songwriter Scott Matthews’ performance at the Union Chapel. The term “singer-songwriter” is often quite liberally applied, and can mean quite a lot..
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