ABDUL RASHIDI reviews Awolnation’s new album, Here Come the Runts After their most notable hit was hijacked by the now deceased app Vine, Awolnation are..
NATALIE RUSSO reviews UCL Live Music Society’s annual showcase, Rhapsody Rhapsody 2018: A Live Music Show took place at the Shaw Theatre across two nights..
DAN JACOBSON reviews string orchestra Scottish Ensemble’s performance at King’s Place. High school concerts were always a sordid affair. They would invariably begin with a..
DAN JACOBSON reviews alt rock band Deer Tick’s performance at Islington Assembly Hall Providence-based alternative rockers Deer Tick have always produced musical mosaics of..
ROSEMARY MOSS reviews the multi-musician interpretations of House of Monteverdi at Spitalfields Music Festival Starting at 5 and wrapping up at 9.30, the first event..
With Independent Venue week just round the corner, NAT JONES explores some of London’s best small gig spots. Windmill Brixton Undoubtedly my favourite..
DAN JACOBSON reflects on Margo Price’s 2017 album All American Made and the state of country music. In his illuminating podcast Revisionist History, author and..
VALERIA ROCCA reviews seminal alt-rock band Placebo’s recent gig at O2 Brixton Academy. Following the release of their retrospective album A Place For Us to Dream..
DANIEL JACOBSON reviews the newly released deluxe edition of All These Countless Nights, the latest album from English alt-rock band Deaf Havana. The first album I ever..
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