Portraits of Perception: Gazing into Ellie Pratt’s ‘Taste Maker’
CAROLINA TANI reviews the latest offering from Slade graduate Ellie Pratt– mangled reflections on the female form, and the voyeurism essential to viewing.Â
RUDI RANCE, Era’s next Editor-in-Chief, attends King Krule’s intimate set at London’s acclaimed 100 Club. Oscillating between cry and croon, his voice cuts through..
MISCHA GUREVICH reviews AFTERSUN by CHARLOTTE WELLS. Aftersun (2022) is Charlotte Wells’ debut film which premiered at Cannes Critics’ Week this May. It was..