BECKY BAINBRIDGE reviews the Royal Shakespeare Company’s ‘Oppenheimer’ at the Vaudeville Theatre. In the midst of the Second World War, two German chemists have discovered..
NICOLA WATKINSON gives her take on Charlie Lyne’s recent ‘innovative experiment on the possibilities of cine-essays’, Beyond Clueless. Beyond Clueless is a new kind of documentary:..
VANYA JONES reviews ‘Hiraeth’ at Soho Theatre. From the moment the young Welsh trio frolic onto the stage, they have the audience in stitches. Rife..
NANCY HEATH reviews ‘Sweeney Todd’ at Harrington’s Pie and Mash Shop. Bill Buckhurst’s new adaptation of ‘Sweeney Todd: The Demon Barber of Fleet Street’ has..
‘Choose Life. Choose a job. Choose a career. Choose a family…’
LYNSEY FORD reviews ‘Trainspotting’ showing at the Kings Head Theatre Pub. Following their triumphant run at The Edinburgh Fringe Festival from 31 July-24th August 2014, In..
LAURIE CHEN reviews UCLU Live Music Society’s production of ‘Rhapsody’. At first glance, the word ‘rhapsody’ conjures up visions of ecstasy and the heady feeling..
CHRISTIE DODMAN-LEAR reviews the ‘Victorian Obsession’ at the Leighton House Museum. Entering into the understated foyer of the Victorian dollhouse that is the Leighton House..
NIALL ADAMS reviews the London premiere of ‘Buyer and Cellar’ at the Menier Chocolate Factory. Walking into the Menier, I am greeted with the sound..
NANCY HEATH reviews ‘Man and Superman’ at the National Theatre. Simon Godwin’s production of George Bernard Shaw’s century-old ‘Man and Superman’ has exploded into life..
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