PHYLLIDA JACOBS reviews Sophia Walker’s debut poetry collection. “Always travel in the direction opposite to the tour bus” are the words recounted in ‘Advice’, the..
Following the recent release of Tim Burton’s ‘impressive’ Big Eyes, ISABELLA BORNHOLT takes a look at the film and considers its comment upon the place of..
JAMES PATRICK CASEY sees Gnarwolves at the Camden Underworld, and would like to comment on their performance but was probably brain-damaged a little bit in..
NANCY HEATH reviews ‘Walking the Tightrope’. ‘Walking the Tightrope: The Line between Art and Politics’ is unlike any other piece of theatre I have seen...
SASHA BURIK checks out the ‘motley assortment’ of experimental short films on offer at Leftfield & Luscious as part of the London Short Film Festival...
JAN KOBAL explores Björk’s new album, one wrought with emotional turmoil and personal acceptance. Björk, for a long time one of the only reasons people would..
AMY GWINNETT has something to say about No Cities To Love. (Warning: The reviewer finds it near impossible to write objectively about Sleater-Kinney because in her..
LUCY SILVER reviews ‘Private View’ showing at Theatre Delicatessen. On the stage of Theatre Delicatessen, Izabella Malewska lies on a waxing table as Lilly Pollard,..
MADDY MARTIN reviews Zoïa Skoropadenko’s “flash” Torso exhibition. Zoïa Skoropadenko’s Torso exhibits under London Bridge’s Stock Exchange Rifle Club, a hidden location where visitors are..
SAMANTHA CHEH reviews ‘Contact.Com’ showing at the Park Theatre. ‘Contact.Com’ tries to do many things and be a something-for-everyone sort of show. In some cases,..
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