JUDITH BORGHOUTS reviews Morrissey’s recent return to form live at the O2 Arena. “I am privileged, I am beyond privileged.” These are the words Morrissey..
JACK BROPHY reviews ‘Henry IV Part II’ playing at the Barbican. Gregory Doran returns to the Barbican this year for another excellent production with the..
LAUREN BOWES reviews UCLU’s latest publication, The Writer’s Block The petrifying condition that is writer’s block has no doubt incapacitated nearly every wordsmith, be they poet,..
HARRIET LEIGH review’s Hogarth’s cartoons and engravings in the Cartoon Museum. The exhibition of Hogarth’s cartoons and engravings in the Cartoon Museum in Little Russell..
PHYLLIDA JACOBS reviews Anaïs Mitchell and Kate Stables at Union Chapel. Upon seeing Anaïs Mitchell perform her enchantingly lyrical songs, it’s easy to see why..
In light of the UCLU Film Society and UCL Psychology Society’s recent screening of the Act of Killing at the Bloomsbury Theatre, TOM GLEDHILL revisits..
NICOLCA WATKINSON reviews Theatre Uncut at Soho Theatre ‘Theatre Uncut’ is an idea as well as a performance,’ a voice announces on an overhead speaker..
BECKY BAINBRIDGE reviews ‘Behind the Beautiful Forevers’, playing at the National Theatre. Set in the Annawadi, a ‘sumpy plug of slum’ on the wasteland fringing..
LUCY FARLEY reviews ‘First Love’ at the Arcola Theatre For anyone who already knows Beckett’s work, his bleak and often arresting style will be familiar...