LUCY FARLEY reviews ‘First Love’ at the Arcola Theatre For anyone who already knows Beckett’s work, his bleak and often arresting style will be familiar...
SAVAGE reviews The Mimetic Festival This year, the Mimetic Festival’s showcase of mime, puppetry, magic, cabaret and theatre took place in The Vaults, in the..
SAMANTHA CHEH reviews ‘Symphony’ at the Soho Theatre. Silence is a powerful tool in theatre: done right, it creates poignancy and enhances overall comedic timing;..
DANA MOSS reviews ‘Hoke’s Bluff’ at Shoreditch Town Hall. I was, admittedly, wary about viewing ‘Hoke’s Bluff’. On the surface it appears quintessentially American: centred..
LUCY FEIBUSCH reviews 3 Winters at The National Theatre, Southbank. Tena Stivicic’s 3 Winters is a triumph. The audience watches as the story of one..
ALASTAIR CURTIS reviews ‘Howie the Rookie’ at the Barbican Theatre After their lauded London premiere of Enda Walsh’s ‘Ballyturk’ earlier this year at the National..
SOPHIE MEADOWS reviews UCLU’s Musical Theatre Society’s production of ‘Parade’ at the Bloomsbury Theatre. When a 13 year old girl is found dead in the..
BECKY BAINBRIDGE reviews ‘Stink Foot’ at the Yard Theatre. The Yard Theatre, nestled amongst the labyrinthine network of warehouses in Hackney Wick, is an apt..
REBECCA SPEARE-COLE reviews ‘Cans’ a bold new play by Stuart Slade at Theatre503 When the audience settled into their seats for the debut production of..
BECKY BAINBRIDGE talks to director Jeff James about his latest production ‘Stink Foot’ It is a play that the young student Jeff James envisaged he..