LUCY FARLEY reviews ‘‘Tis Pity She’s a Whore’, showing at the Sam Wanamaker Playhouse. The Sam Wanamaker Playhouse is without a doubt the grown up..
ROSIE HEWITSON reviews Wet House, now showing at Soho Theatre. Live Theatre Newcastle’s production of ‘Wet House’ is on at Soho Theatre until 16th November,..
SOPHIE COMPTON reviews SPINE, now showing at Soho Theatre. Rosie Wyatt has the audience completely transfixed throughout her hour-long dramatic monologue, written by Clara Brennan...
NIALL ADAMS reviews Teatro Vivo’s The Hunters Grimm, a journey that starts at Deptford Lounge. Deptford High Street is not the first place that comes..
DANA MOSS reviews WELCOME TO NIGHT VALE: THE LIBRARIAN ‘Welcome to Night Vale’ continues its tour of Europe with a sell-out show in London’s Union..
REBECCA COATES reviews Henry IV at Donmar Warehouse. Henry IV is the second of Phyllida Lloyd’s all-female productions of Shakespeare’s plays at the Donmar. On..
JACK BROPHY reviews Harold Pinter’s ‘Betrayal’, performed at UCL’s Japanese Roof Garden Marquee. After another land grab by UCL management last year, the erstwhile Garage..
ROSIE HEWITSON reviews Confirmation at the Battersea Arts Centre. Winner of a Scotsman Fringe First Award, Confirmation has now been transferred to the Battersea Arts..
SOPHIE MEADOWS interviews artistic director Alex Parsonage about his upcoming physical entertainment collaboration – the Mimetic Festival. ‘You know the smell of the Underbelly in..
BECKY BAINBRIDGE reviews ‘The Curious Incident of the Dog in the Nighttime’. Mark Haddon’s bestselling novel-turned-play made headlines last December, when the acclaimed production at..
PHYLLIDA JACOBS discusses Sarah Blake’s Stage Adaptation and performance of ‘A Room of One’s Own’. A basement theatre in Shoreditch’s The Book Club seems a..