NANCY HEATH reviews the stage adaption of ‘Wolf Hall’ and ‘Bring up the Bodies’ Going to a Matinee always generates a different feeling than an..
Evita: The Power of Dreams and Dangers of Ambition
NIALL ADAMS reviews the musical ‘Evita’ at The Dominion Theatre. The last London revival of ‘Evita’ closed just seven years ago; it would be forgivable..
BECCA SPEARE-COLE reviews a revival of the Broadway hit, ‘Damn Yankees’, in Clapham’s most adventurous theatre. The Landor Theatre is a cosy hidden gem, found..
ALASTAIR CURTIS reviews Ibsen’s ‘Enemy of the People’ at The Barbican. Calls for revolution, Scottish independence and an end to austerity were on everyone’s lips..
BECKY BAINBRIDGE reviews Shakespeare’s ‘Comedy of Errors’ at The Globe. ‘The Comedy of Errors’ is Shakespeare’s shortest play and is, ironically, a comedy I have..
SOPHIE MEADOWS reviews a double bill at the Tristan Bates Theatre: Catriona Kerridge’s contemporary ‘Shoot, I Didn’t Mean That’; followed by the reactionary war-time play..
LUCY FEIBUSCH reviews Richard Marsh’s Wingman, which is now showing at Soho Theatre after resounding success at The Edinburgh Fringe Festival. Before the show, I..
GEORGE WASHBOURN reviews C.J. Wilmann’s new play, The Picture of John Gray, as performed at The Old Red Lion Theatre. C.J. Wilmann’s inspired play is..
LUCY FEIBUSCH reviews Phoebe Waller-Bridge as Fleabag at the Soho Theatre. Phoebe Waller-Bridge sits in front of an audience who are in stitches. Everybody is..
EM CLARKSON reviews Fatal Attraction at The Theatre Royal, Haymarket. Fatal Attraction, currently being performed (superbly) in the overtly ostentatious Theatre Royal, has had me..
SOPHIE MEADOWS reviews Josep Maria Miró i Coromina’s most recent play. Archimedes’ Principle explores the circumstances around the accusation of a young, male swimming instructor,..
Begin typing your search above and press return to search. Press Esc to cancel.