ISOBEL MACLEOD reviews Last Orders at the Red Lion. ‘We are still here’. What makes mirrors scary? What makes us worry that our reflections might..
JAMIE COTTLE reviews Emma Frankland’s We Dig at the Ovalhouse. And they certainly dug…deep. Before entering the Ovalhouse theatre, I was unsure of how much..
PHYLLIS KOEHLER reviews Shotgun Carousel’s Red Palace at The Vaults. When entering the musty dungeons of the Vaults Theatre, one might easily feel oneself transported..
VIVIENNE LEECH reviews Alfred Taylor Gaunt’s Derrière on a G String at Sadler’s Wells. Performed at Lilian Baylis Studio, Alfred Taylor-Gaunt’s camp extravaganza Derrière on..
SOPHIE CUNDALL reviews Pandora’s Door’s ‘Zeus on the Loose’ at Fire, Vauxhall. This article contains references to racism, homophobia and ableism. Selling itself as a..
MADDIE DUNN reviews Lesley Storm’s play Black Chiffon at the Park Theatre. Lesley Storm’s three-act play Black Chiffon has rarely been performed in the UK since..
Sophie Parker reviews Cora Bissett’s autobiographical play at Soho Theatre. Thousands of musicians have nearly made it, only to be forgotten seconds after they crash..
SOPHIE CUNDALL reviews UCL Drama Society’s Romeo and Juliet. From the moment you walk in through the creaking doors of the 19th century gothic church..
NICK FERRIS reviews Anna X at VAULT Festival. Here is a play for the social media age: a frenetic rollercoaster ride of carefully curated Instagram updates, magazines..
SOPHIE PARKER reviews UCOpera’s LibuÅ¡e at the Bloomsbury Theatre. University College Opera masterfully presented the British premiere of BedÅ™ich Smetana’s 1872 opera, LibuÅ¡e, at the newly refurbished..
MADDIE DUNN reviews Freak at the Bloomsbury Studio. UCL’s Viva La Vulva is a group consisting primarily of medical students who campaign to raise awareness..
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