MARIA PERSU contemplates her discovery of Nordic environmentalist art. I arrived in Helsinki on Midsummer Night, a celebration where Finns light up huge bonfires and..
ASIA CHOUDHRY reviews Olafur Eliasson’s In Real Life at the Tate Modern. Scrolling through Instagram one day during summer, I stumbled upon pictures of my..
ISABELLE OSBORNE reviews A Clockwork Orange at Bloomsbury Theatre. Performed by the UCL Drama Society in collaboration with Film Society, A Clockwork Orange captures the..
RONI MEVROACH reviews I Could Go on Singing at the Southbank Centre. This performance doesn’t leave you certain about many things, but one thing is..
ELLIE LACHS reviews Faithful Creatures at Camden People’s Theatre. Isobel Macleod’s Faithful Creatures, directed by Evie Robinson, is a revelation. It bravely strides away from..
SOPHIE CUNDALL interviews the director and producer of the upcoming production of A Clockwork Orange at the Bloomsbury Theatre. Since March last year, Srishti Chakraborty (Director)..
MARTA BIINO considers the sustainability of food consumption and waste production. Addressing social and environmental issues is a growing trend in the contemporary art world...
ROSE DODD explores the neuroscience behind the creation and perception of fashion. Fashion can reflect wider society and contemporary politics, but it can also rebel..
ELLIE LACHS reviews Swive [Elizabeth] at the Sam Wannamaker Playhouse. The Sam Wanamaker Theatre’s latest production, Swive, directed by Natalie Abrahami and written by Ella Hickson,..
SELMA REZGUI reviews Revolt. She Said. Revolt Again at Bloomsbury Theatre. A series of straws that break the camel’s back. Alice Birch’s Revolt. She said...
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