PHYLLIS KOEHLER reviews Shotgun Carousel’s Red Palace at The Vaults. When entering the musty dungeons of the Vaults Theatre, one might easily feel oneself transported..
VIVIENNE LEECH reviews Alfred Taylor Gaunt’s Derrière on a G String at Sadler’s Wells. Performed at Lilian Baylis Studio, Alfred Taylor-Gaunt’s camp extravaganza Derrière on..
SOPHIE CUNDALL reviews Pandora’s Door’s ‘Zeus on the Loose’ at Fire, Vauxhall. This article contains references to racism, homophobia and ableism. Selling itself as a..
MADDIE DUNN reviews Lesley Storm’s play Black Chiffon at the Park Theatre. Lesley Storm’s three-act play Black Chiffon has rarely been performed in the UK since..
Sophie Parker reviews Cora Bissett’s autobiographical play at Soho Theatre. Thousands of musicians have nearly made it, only to be forgotten seconds after they crash..
NICK FERRIS reviews Anna X at VAULT Festival. Here is a play for the social media age: a frenetic rollercoaster ride of carefully curated Instagram updates, magazines..
MADDIE DUNN reviews Freak at the Bloomsbury Studio. UCL’s Viva La Vulva is a group consisting primarily of medical students who campaign to raise awareness..
SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Sweeney Todd at the Bloomsbury Theatre. The character of Sweeney Todd first entered the public consciousness..
THEA NOWELL reviews the UCL Societies Showcase Night at the Bloomsbury Theatre. First opening its doors in 1968 as the Central Collegiate Building Auditorium, The..
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