IZZY RENDELL reviews Moses Boyd’s Mercury Prize-nominated album, Dark Matter. Moses Boyd’s musical career has spanned many different identities, ranging from drummer, composer, bandleader, and..
WILL FERREIRA DYKE reviews Channel 4’s Grayson’s Art Club. I started 2020 full of anticipation for numerous exhibitions showing across London. From Yayoi Kusama’s Infinity..
SHANTI GIOVANNETTI-SINGH discusses the significance of cultural destruction in the exhibition Culture Under Attack at the Imperial War Museum On 15th April 2019, a structure..
MIER FOO explores the obsession with beauty and the use of Ancient Greek concepts in Donna Tartt’s The Secret History. The Secret History subverts the..
ENERZAYA GUNDALAI reflects on the role of technology in art through the Saatchi Gallery’s most recent exhibitions. Nothing can escape the glare of blue light..
ENERZAYA GUNDALAI presents the highlights of UCL MODO Fashion Society’s 2019 Show: SENSES. Under the railway vaults of London’s Steel Yard, SENSES showcased MODO’s latest..
KRISTIE LUI examines works from Hyon Gyon’s solo exhibition at the Parasol Unit Foundation for Contemporary Art. Scorched holes in fabric reveal layers of burnt..
ENERZAYA GUNDALAI critiques Videogames: Design/Play/Disrupt at the Victoria and Albert Museum. Museums are special places of worship for me. Walking through the European temple-like halls..
MARCELA KONANOVA reviews Modern Couples: Art, Intimacy and the Avant-garde at the Barbican Art Gallery. Laced with elements of originality, Modern Couples: Art, Intimacy and..
LYDIA DE MATOS reviews The Favourite, Yorgos Lanthimos’ unruly take on the period piece. The Favourite is an intense deconstruction of what audiences have come..
MAEVE ALLEN reviews Widows, an unnerving heist thriller with feminist overtones. When four career criminals are killed in an attempted robbery, their widows take up..
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