KACPER KOLĘDA reviews ‘Basquiat: Boom for Real’ at the Barbican. More than twenty years have passed since the first — and last — posthumous exhibition of..
ROWEEN RAWAT’S vibrant and detailed illustrations draw numerous influences from mehndi patterns and the Great Wave of Kanagawa, to strong female protagonists such as geishas...
TOMMY WALTERS introduces ‘Back In House’, a workers’ campaign to end outsourcing and zero-hours contracts at the University of London. It seems almost too fitting that Senate..
SHALAKA BAPAT interviews the founders of Roundtable Journal and Thiiird at our Intersect print launch. Listen to Shalaka’s conversation with the founders of Roundtable Journal..
ELLA WILSON and DANIEL LUBIN review UCL Drama Society’s As You Like It. Plastic trees and a pale patchwork backdrop. The neutrality of Georgia Green’s set..
ISABEL WEBB discusses breaking into creative journalism with industry experts Caroline Issa (Fashion Director, TANK magazine) and the Deputy Editor of Huck magazine. Hear their thoughts on everything..
THOMAS CURY outlines the demands to fund and improve UCL’s Student Psychological Services. There’s a mental health crisis going on across universities in the UK,..
BENEDICT YEO outlines the current flaws in UCL’s attempts at diversifying its curriculum. For an institution that brands itself as ‘London’s Global University’, there is a worrying..
ETHAN RHYS-JENKINS’ short is a punchy and enlightening advert for the Rent Strike protest. He is in conversation with HASSAN SHERIF to explain where the film..
NICK FERRIS reviews Teatro Vivo’s promenade piece Twistov on the streets of Shoreditch. To visit present-day Shoreditch is to be overwhelmed by a particular brand of high-priced London..
SOPHIE CUNDALL reviews the final night of UCL Drama Society’s Women, Power and Politics showcase. The night’s first show, The Milliner and The Weaver, directed by Cara..
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