ERIN CROASDALE reviews social history inspired YES! YES! UCS! at Sands Film Studios. The year is 1971. Ted Heath’s Conservative government is in charge and unwilling..
Get Your Gentrifying Hands Off Nour Cash and Carry: Outrage Against A Community Grocer’s Eviction
DISHA TAKLE considers the impact of gentrification on Brixton’s working-class and ethnic communities, in light of the attempted eviction of a local grocery store by..
WILL PALMER reviews Marie Antoinette, Sofia Coppola’s candy-coloured homage to the misunderstood French queen. As part of the BFI Southbank’s Seen & Heard season, celebrating..
A Sign of the Times: The Brit Awards’ Representation of British Music and Society
ERIN CROASDALE examines the pertinence of the Brit Awards as a platform to advocate diversity and progressive values today. ‘A lot of the time people..
Review: Bice Lazzari: Modernist Pioneer at Estorick Collection
THOMAS COLEMAN reviews the Bice Lazzari exhibition at the Estorick Collection, considering her role in Italian Modernism. Bice Lazzari is a little known but hugely..
MATTEA CARBERRY reviews House of Hummingbird, Kim Bora’s tender exploration of a young girl’s precarious coming of age within her challenging environment. Set in..
ZOSIA KIBALO interviews artists featured in Fishtank, a group exhibition at Penarth Centre put on by second-years students at the Slade School of Fine Art...
KIMI ZARATE-SMITH talks to JOHN FM about generating music out of observations, his relationship to Detroit, the state of America, and the urgency to express..
KELLY HOOY reviews Starving Dingoes at The Place. Starving Dingoes is both a haunting and electrifying spectacle of dance. Choreographer Lea Tirabasso presents her latest..