Gözde Ilkin’s Eyes of the Earth: Installing with Gypsum gallery at Frieze London
JAMILA ABDEL-RAZEK, Art & Design sub-editor, explores the intricate tapestries of GÖZDE ILKIN at Frieze London I scramble beneath the billowing white tarp, making..
RUDI RANCE, Era’s next Editor-in-Chief, attends King Krule’s intimate set at London’s acclaimed 100 Club. Oscillating between cry and croon, his voice cuts through..
New Age Music: The Metamorphosis of a Commodified ‘Genre’
JOE CUNNINGHAM explores the ever-changing categorisation of new-age music through both a historical and contemporary lens. New-age music is near impossible to pin down...
Music editor ROMILLY SCHULTE reviews Ziyad Al-Samman’s ‘Hard To Say’ release party at Paper Dress Vintage.  Ziyad Al Samman does not veer from the..
A Sign of the Times: The Brit Awards’ Representation of British Music and Society
ERIN CROASDALE examines the pertinence of the Brit Awards as a platform to advocate diversity and progressive values today. ‘A lot of the time people..
ALEX BAIN, originally from Dublin but living in London for a year, creates abstract noise through working with his guitar in unexpected and untraditional ways...
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