BEN FRITH reviews the tenth anniversary revival of Tender Napalm at the King’s Head Theatre. ‘Woman’ and ‘Man’ dance with each other, sometimes apart,..
ZOSIA KIBAŁO reviews Vanara: The Legend at the Hackney Empire, exploring its message of unity and togetherness. Forest sounds echoed from the stage as I..
ALEX DARBY reviews Kae Tempest’s Paradise (2021) at the National Theatre. Kae Tempest’s Paradise boldly reworks Sophocles’s Philoctetes (409 BC) bringing it into the..
ALEX DARBY reviews Lolita Chakrabarti’s Hymn (2021) at the Almeida. Lolita Chakrabarti’s Hymn is a story of platonic love between two black men. This..
ZANE KHAN interviews Beth McAulay and Thomas Harcourt, co-founders of Church St. Theatre, a student-run theatre company. What inspired you to set up Church St...
MAYA BOWLES discusses how her experience of Small Island has evolved in light of the resurgence of the Black Lives Matter movement. The National Theatre’s..
SOPHIE CUNDALL discusses theatre, intimacy, and the virtual stage. TW: sexual assault. Theatre requires intimacy. Theatre is intimacy. By definition, theatre is intimate. Whether it..
ISABELLE OSBORNE reviews A Clockwork Orange at Bloomsbury Theatre. Performed by the UCL Drama Society in collaboration with Film Society, A Clockwork Orange captures the..
