THOMAS COLEMAN reviews Four Quartets at the Harold Pinter Theatre. In this solo-show, Ralph Fiennes takes a staple of modernist literature and sets it to..
MADDIE DUNN reviews Gatsby: The Musical at Southwark Playhouse Scott Fitzgerald’s The Great Gatsby (1925) is an iconic work. Its status as a Classic, treasured..
ERIN CROASDALE reviews Life of Pi at the Wyndham’s Theatre. A bestselling novel, an Oscar award winning film, now adapted into a theatrical spectacle. After..
ISABELLE OSBORNE reviews UCL Musical Theatre Society’s production of RENT at the Bloomsbury Theatre. Performed from 2-4 December in the Bloomsbury Theatre, UCL Musical Theatre..
BEN FRITH reviews the tenth anniversary revival of Tender Napalm at the King’s Head Theatre. ‘Woman’ and ‘Man’ dance with each other, sometimes apart,..
ZOSIA KIBAŁO reviews Vanara: The Legend at the Hackney Empire, exploring its message of unity and togetherness. Forest sounds echoed from the stage as I..
ALEX DARBY reviews Kae Tempest’s Paradise (2021) at the National Theatre. Kae Tempest’s Paradise boldly reworks Sophocles’s Philoctetes (409 BC) bringing it into the..
ALEX DARBY reviews Lolita Chakrabarti’s Hymn (2021) at the Almeida. Lolita Chakrabarti’s Hymn is a story of platonic love between two black men. This..
ZANE KHAN interviews Beth McAulay and Thomas Harcourt, co-founders of Church St. Theatre, a student-run theatre company. What inspired you to set up Church St...
