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A palimpsestic manipulation of time: Moreish Idols’ All in the Game
The Chaotic Sincerity of Saoirse Moncrieff
Express Yourself and Choke on It: Nora Turato’s pool7
Fiction, Indifference, and the Migrant Body: Vincent Delecroix’s Small Boat
Out of Joint: Paul B. Preciado’s Dysphoria Mundi
Nine Cutesy Works
The photographer who stared the Mafia straight in the eye and didn’t blink
The Last Suitor
The “Irish Goodbye”: Somebody’s Child’s When Youth Fades Away
Freud’s Feminist Refurnishing: A review of Women & Freud: Patients, Pioneers, Artists
Nan Goldin: The Ballad of Sexual Dependency
Piracy, Pedagogy and the Girlblogger: Reading Ester Freider’s I’m like a pdf but a girl
An Interview with Christine Lai
Words in Freedom: Breaking Lines at the Estorick Collection of Modern Italian Art
Ecological soundscapes and technical brilliance: Vanessa Bedoret’s Eyes
Pop Culture’s Double Edge: A Review of LSFF’s Pop: Contagion, Infection, Revolution!
It’s Shakespeare, But Make It…
Temptation and Hypocrisy: Revisiting Simon of the Desert (1965)
