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Review: Diary of a Somebody

CASSANDRA KHOO reviews the revival of Diary of a Somebody at Seven Dials Playhouse It is spring break, and Bloomsbury is somewhat freed from its..

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Review: La Mif

MADELEINE KING reviews La Mif, a moving portrayal of coming of age within the social care system. La Mif (2021), or ‘The Fam(ily)’ in French slang,..

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Review: Fashioning Masculinities

ELLA SARAX reviews Fashioning Masculinities: The Art of Menswear at the V&A. Menswear is undergoing a creative surge. It is undeniable that masculinity has taken..

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Get Your Gentrifying Hands Off Nour Cash and Carry: Outrage Against A Community Grocer’s Eviction

DISHA TAKLE considers the impact of gentrification on Brixton’s working-class and ethnic communities, in light of the attempted eviction of a local grocery store by..

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Review: Marie Antoinette

WILL PALMER reviews Marie Antoinette, Sofia Coppola’s candy-coloured homage to the misunderstood French queen.    As part of the BFI Southbank’s Seen & Heard season, celebrating..

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A Sign of the Times: The Brit Awards’ Representation of British Music and Society

ERIN CROASDALE examines the pertinence of the Brit Awards as a platform to advocate diversity and progressive values today. ‘A lot of the time people..

My Featured Posts

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Interview: Rosie Bergonzi

ISABELLE OSBORNE interviews ROSIE BERGONZI about her musical career, exploring different creative opportunities and representation in the music industry. Rosie Bergonzi is a percussionist, workshop..
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Review: Yes! Yes! UCS!

ERIN CROASDALE reviews social history inspired YES! YES! UCS! at Sands Film Studios. The year is 1971. Ted Heath’s Conservative government is in charge and unwilling..
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Review: Bice Lazzari: Modernist Pioneer at Estorick Collection

THOMAS COLEMAN reviews the Bice Lazzari exhibition at the Estorick Collection, considering her role in Italian Modernism. Bice Lazzari is a little known but hugely..
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Review: Fishtank

ZOSIA KIBALO interviews artists featured in Fishtank, a group exhibition at Penarth Centre put on by second-years students at the Slade School of Fine Art...
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Interview: John FM

KIMI ZARATE-SMITH talks to JOHN FM about generating music out of observations, his relationship to Detroit, the state of America, and the urgency to express..
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Interview: Everyone’s Invited

EVERYONE’S INVITED is a social movement combatting rape culture and sexual harassment, through education, testimonials and support. Its platform is a safe space for survivors,..
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Review: Foxes

HANNA BERNARD reviews the revival of Foxes at Seven Dials Playhouse I’m pregnant, and the baby is yours’. One sentence and Daniel and Meera’s lives..
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Review: Dirty Corset

ISOBEL KNIGHT reviews Dirty Corset at the Pleasance Theatre. Strung on washing lines around the Pleasance Theatre are socks, wigs, and bandages; the seedy nature..
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Exploring London: Reflections

CHARLOTTE CADE contemplates travelling around London as a mindful experience.   London is often labelled as busy, noisy, stressful, and overwhelming. Yet I find that..
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Review: House of Hummingbird

MATTEA CARBERRY reviews House of Hummingbird, Kim Bora’s tender exploration of a young girl’s precarious coming of age within her challenging environment.    Set in..
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The purity of intent: Déo Cardoso’s A Bruddah’s Mind

NG SHENG YING reviews Déo Cardoso’s A Bruddah’s Mind, showing how an individual’s conviction can rally the masses.   (The following review contains spoilers.)  ..
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Tether and Tender

A poem by MADDY KING. You. With Fingers tracing the outlines of my frame barely there. Black. The Hairs on your arm The webs you..
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Review: Starving Dingoes

KELLY HOOY reviews Starving Dingoes at The Place. Starving Dingoes is both a haunting and electrifying spectacle of dance. Choreographer Lea Tirabasso presents her latest..
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Interview: Tamara Saadé

LILY PENG chats to photographer Tamara Saadé, discussing Tamara’s works and personal experiences.  TAMARA SAADÉ is a photographer and journalist born and raised in Beirut, Lebanon...
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