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Interview: Elliot Nash

WILL FERREIRA DYKE chats with Bartlett alum ELLIOT NASH to discuss his trajectory as a practicing architect and educator.  Elliot Nash is a familiar Bartlett..

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Review: Jiaxi Li’s Knot by Not 

ANGELICA NGAI reviews Jiaxi Li’s Knot by Knot exhibition at Unit 1 Gallery. Jiaxi Li’s Knot by Not, displayed on the 2nd floor of Unit..

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Review: Life Of Pi

ERIN CROASDALE reviews Life of Pi at the Wyndham’s Theatre.  A bestselling novel, an Oscar award winning film, now adapted into a theatrical spectacle. After..

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  A poem by CAMERON SMITH.   A book with a bookmark in, rests its neck upon the desk; the last page read is overleaf;..

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Interview: Kai McKim

Second-year Architecture student KAI MCKIM decided to interrupt his studies this academic year and work on a project planning, designing, and constructing a sculptural studio..

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Review: Petite Maman

WILL PALMER contemplates Céline Sciamma’s portrayal of childhood and grief in her latest film, Petite Maman. The most impressive part of Céline Sciamma’s Petite Maman..

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Dawn, or Dusk

A poem by SADIE MUTTON.    I’ll wrap myself in myself And rock a hushed arc, – A hazy stretch of days and days, With..
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Review: Gatsby: The Musical

Maddie Dunn reviews Gatsby: The Musical at Southwark Playhouse Scott Fitzgerald’s The Great Gatsby (1925) is an iconic work. Its status as a Classic, treasured..
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Review: Celts

ELLA SARAX reviews Milica Tomović’s debut feature, Celts,  considering its search into post-war Serbian minds.    Celts (2021) is the debut feature film of Serbian..
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Interview: Dave Buonaguidi 

WILL FERREIRA DYKE speaks with Hackney based artist DAVE BONAGUIDI (aka Real Hackney Dave) at the opening of his show WOT THREE WORDZ at Jealous..
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The 2021 Ingram Prize and the Accessibility of Contemporary Art

ANGELICA NGAI considers the artworks shortlisted for the 2021 Ingram Prize, detailing the appreciation they have for artworks that directly reflect our contemporary moment.  How..
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Interview: Slade Action

SLADE ACTION is a student-led group at UCL’s Slade School of Fine Art, protesting the lack of diversity, inclusion and support at the institution, which..
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Review: Four Quartets

THOMAS COLEMAN reviews Four Quartets at the Harold Pinter Theatre. In this solo-show, Ralph Fiennes takes a staple of modernist literature and sets it to..
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Record of Winter

A poem by GEORGE DENNIS.   Two swans change course With a single inviting slosh. The river is at its banks And is flat with..
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Talk

A poem by DISHA TAKLE.   you and I  speak different words neither can understand but you and I  are bound together we walk  hand..
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Review: RENT

ISABELLE OSBORNE reviews UCL Musical Theatre Society’s production of RENT at the Bloomsbury Theatre.  Performed from 2-4 December in the Bloomsbury Theatre, UCL Musical Theatre..
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The Beauty in Reality

AYAZ KHEZRZADEH explores the documentary photography of Lynsey Addario, discussing how this photojournalist locates a sense of composure in scenes of crises.  Photography is an artistic form..
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Interview: Alex Bain

ALEX BAIN, originally from Dublin but living in London for a year, creates abstract noise through working with his guitar in unexpected and untraditional ways...
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Review: Love Dance

HANNA BERNARD reviews Love Dance at the Chiswick Playhouse. I dare you to find a more British production than the play Love Dance, directed by..
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Review: Tunji Adeniyi-Jones’ ‘That Which Binds Us’ 

ZOSIA KIBALO reviews Tunji Aeniyi-Jones’ ‘That Which Binds Us’, at the White Cube Bermondsey.  Tunji Aeniyi-Jones’ first solo show, stretching across two rooms in the..
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