ALASTAIR CURTIS reviews ‘A Pacifist’s Guide to the War on Cancer’ at the National Theatre. Cancer may seem like an unlikely subject for an all-singing..
NICK MASTRINI reviews ‘SE1’, a new play by ALASTAIR CURTIS and Dorcas Ayeni-Stevens. At Platform on The Cut, you can hear the rumbling of Waterloo trains..
ALASTAIR CURTIS reviews ‘Painters’ Paintings: From Freud to Van Dyck’ at The National Gallery. It’s often said that our belongings make up who we are...
ALASTAIR CURTIS reviews Our Ladies of Perpetual Succour at the National Theatre. Arriving at the National from its Scottish tour, Lee Hall’s adaptation of Alan Warner’s..
ALASTAIR CURTIS reviews the London previews of Roll Up Theatre’s The School for Wives at the Courtyard Theatre. Moliere’s classic mixture of hypocrisy, innuendo and machiavellian..
ALASTAIR CURTIS reviews ‘Yen’ at the Royal Court. Anna Jordan won the prestigious Bruntwood Prize for this study of childhood neglect and testosterone-induced emotional denial...
ALASTAIR CURTIS reviews Yanagihara’s A Little Life, nominated for the Man Booker. A Little Life was the best book of 2015. Hanya Yanagihara, when talking..
ALASTAIR CURTIS reviews the world premiere of Caryl Churchill’s new play, Here We Go, at the National Theatre. ‘It comes at you suddenly, doesn’t it?’..
ALASTAIR CURTIS reviews ‘The Harvest’ at the Soho Theatre. A forest has taken hold of the Soho Theatre. Branches weigh heavy over the turfed stage..
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