AMY MACPHERSON reviews Young Frankenstein at the Garrick Theatre. Bonkers, ridiculous and very, very silly, Mel Brooks’ musical adaptation of his 1974 comedy classic is simply hilarious,..
AMY MACPHERSON reviews The Secret Keeper at Ovalhouse. In an era of high profile cover-ups, whistle-blowers, and scandals such as the banking crisis, the Catholic Church revelations..
AMY MACPHERSON reviews UCLU Drama Society’s Blood Wedding. The sun goes in; the tragedy begins. The portico of the main UCL building has undergone a transformation...
AMY MACPHERSON reviews Pop-up Opera’s Il Matrimonio Segreto. The Geffrye Museum is a grade 1 listed eighteenth century building, a fitting venue for a revival..
AMY MACPHERSON reviews Gilbert and Sullivan’s The Mikado at the Richmond Theatre. As is to be expected from a Victorian operetta set in a fictionalised Japan,..
AMY MACPHERSON reviews Perfectly Imperfect Women for International Women’s Day 2017. What is ‘perfection’? Award-winning storyteller Danyah Miller explores this question in her one-woman play Perfectly..
AMY MACPHERSON reviews UCLU Musical Theatre Society’s production of Sweet Charity. It’s that time of year when students experience the mid-term slump. It is almost reading..
AMY MACPHERSON reviews Theatre503’s pantomime mash-up. Pantomimes as a rule are based on fairy-tales. Snow-White, Cinderella, Robin Hood and Dick Whittington are all pretty standard choices..
Amy MacPherson analyses the increasing levels of censorship blocking public discussion. Wouldn’t it be comforting to think there is an indisputably ‘right’ way of doing..
AMY MACPHERSON reviews William Hogarth’s mezzotint of Sarah Malcolm as part of our ‘GALLERIES – NO SALARIES’ series. It is difficult to maintain objectivity when..
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