BECCA BAINBRIDGE reviews ‘Scotch and Soda’ at the London Wonderground at the Southbank Centre. In a programme chock-a-block with quirky acts, ‘Scotch and Soda’ at..

BECCA BAINBRIDGE reviews ‘The Motherf**ker With The Hat’ at the National Theatre. The title of Stephen Adly Guirgis’ play alone is enough of a departure..

BECCA BAINBRIDGE reviews the Royal Shakespeare Company’s Death of a Salesman at the Noël Coward Theatre. Sat in his shed in Connecticut in 1948, Arthur..

BECCA BAINBRIDGE reviews ‘Light Shining in Buckinghamshire’ at the National Theatre. Caryl Churchill’s newly adapted play ‘Light Shining in Buckinghamshire’ provides a pocket-history of England’s..

BECKY BAINBRIDGE reviews the Royal Shakespeare Company’s ‘Oppenheimer’ at the Vaudeville Theatre. In the midst of the Second World War, two German chemists have discovered..

BECKY BAINBRIDGE reviews ‘The Three Lions’ at St James Theatre. Tucked away from the West End and a stone’s throw from Buckingham Palace, St James..

BECKY BAINBRIDGE discusses student-accessible theatre in London. Living with the wince-worthy costs of being a student in London need not mean agonising over whether to..

BECKY BAINBRIDGE reviews ‘Behind the Beautiful Forevers’, playing at the National Theatre. Set in the Annawadi, a ‘sumpy plug of slum’ on the wasteland fringing..

BECKY BAINBRIDGE reviews ‘Stink Foot’ at the Yard Theatre. The Yard Theatre, nestled amongst the labyrinthine network of warehouses in Hackney Wick, is an apt..

BECKY BAINBRIDGE talks to director Jeff James about his latest production ‘Stink Foot’ It is a play that the young student Jeff James envisaged he..

BECKY BAINBRIDGE reviews ‘The Curious Incident of the Dog in the Nighttime’. Mark Haddon’s bestselling novel-turned-play made headlines last December, when the acclaimed production at..