EMILY GRUZDOWICH analyses George Stubbs’ Whistlejacket and makes a case for equine painting for ‘GALLERIES- NO SALARY’. Pulsating, blood courses through the creature’s veins. Rearing,..

EMILY GRUZDOWICH reviews Frank Auerbach’s retrospective at the Tate Britain. In his chronicling of the passage of time, Frank Auerbach fashions tactile works of bygone..