JESS HOWLEY-WELLS reviews Wretch at the VAULT Festival. ‘London’s answer to Edinburgh’s Fringe’ (according to Time Out magazine) comes hidden away within the labyrinthine Vaults..
JESS HOWLEY-WELLS talks to TORI ALLEN-MARTIN about her new show Wretch at VAULT Festival. Coming into 2017, Victoria Sadler–a prolific arts and culture writer based in London–compiled..
JESS HOWLEY-WELLS reviews Throwback at Jacksons Lane, in association with London International Mime Festival. As a species we have always been unshakeably obsessed with story telling:..
JESS HOWLEY-WELLS reviews the verbatim encounter with terrorism in BU21 at Trafalgar Studios. What is remarkable about BU21 is that it is funny. It centres around six survivors..
JESS HOWLEY-WELLS reviews Muted at The Bunker. Muted tells the story of a young musician named Michael who suffers from selective mutism following the loss of his..
JESS HOWLEY-WELLS reviews The Residents presented by Teatro Vivo in association with The Albany. The Residents feeds nicely into the current upward trend in immersive theatre. It..
JESS HOWLEY-WELLS reviews Where Do Little Birds Go? at The Old Red Lion Theatre Pub. Eighteen-year-old Lucy Fuller is working at Winston’s Nightclub in the 60s, until..
JESS HOWLEY-WELLS reviews Off The King’s Road at Jermyn Street Theatre. Jermyn Street Theatre is a charming venue – a bijoux gem of a theatre tucked..
JESS HOWLEY-WELLS reviews Blue/Orange at The Young Vic Joe Penhall’s Blue/Orange is a play primarily about abuse – abuse of power, abuse of political correctness,..
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