JESS HOWLEY-WELLS reviews The Terrible Infants at Wilton Music Hall. Even before theatre company Les Enfants Terribles’ The Terrible Infants has started, their striking mastery..

JESS HOWLEY-WELLS reviews shows at the Edinburgh Fringe on gender identity and sexual politics, as part of a scheme run by the Network of Independent..

JESS HOWLEY-WELLS reviews shows at the Edinburgh Fringe on gender identity and sexual politics, as part of a scheme run by the Network of Independent..

JESS HOWLEY-WELLS reviews shows at the Edinburgh Fringe on gender identity and sexual politics, as part of a scheme run by the Network of Independent..

JESS HOWLEY-WELLS reviews shows at the Edinburgh Fringe on gender identity and sexual politics, as part of a scheme run by the Network of Independent Critics. ..

For the next week, JESS HOWLEY-WELLS will be regularly reviewing shows at the Edinburgh Fringe on gender identity and sexual politics, as part of a..

For the next week, JESS HOWLEY-WELLS will be regularly reviewing shows at the Edinburgh Fringe on gender identity and sexual politics, as part of a..

JESS HOWLEY-WELLS reviews Lonely Planet at the Tabard Theatre In his foreword to Lonely Planet, premiering in the UK at the Tabard Theatre this June,..

JESS HOWLEY-WELLS reviews Twelfth Night at Shakespeare’s Globe. As is the case with much of Emma Rice’s work, in her Twelfth Night we are forced to question whether..

JESS HOWLEY-WELLS reviews The Poetry of Exile at the White Bear. The Poetry of Exile promises to be ‘a moving blend of male infertility in Romford, Gender Fluidity,..

JESS HOWLEY-WELLS talks to director EMILY LOUIZOU about her upcoming production Tejas Verdes. Fermín Cabal’s 2004 play, Tejas Verdes, is ‘a haunting and compelling piece about humanity’s..

JESS HOWLEY-WELLS reviews The Monkey, playing as a part of Synergy Theatre Project’s Homecomings Festival.  The Monkey is about one South London con artist’s mission to reclaim..