LAURIE CHEN reviews the Oneohtrix Point Never’s recent London gig. Daniel Lopatin is full of surprises. The man who produces mind-bending, avant-garde electronica (under the moniker..
LAURIE CHEN reviews the languid quartet’s recent London gig. Following the release of their debut LP Timeline last October, Mild High Club have steadily acquired..
Teenage Kicks and Sexual Consent in the Digital Age
LAURIE CHEN reviews ‘Four Minutes Twelve Seconds’ at Trafalgar Studios. British playwright James Fritz’s Olivier-nominated debut brilliantly navigates the murky moral maze of teenage sexuality..
LAURIE CHEN takes a look at ‘Going Clear’, the documentary on Scientology that’s causing a stir. Sometimes life is stranger than fiction. At least that’s..
LAURIE CHEN visited the London Human Rights Watch Film Festival to check out the ‘vividly human stories’ portrayed in The Dream of Shahrazad and interview..
LAURIE CHEN reviews an exclusive taster of Jamie xx’s forthcoming album. If the tantalizing drip-feed of solo material released by Jamie xx in the past few..
LAURIE CHEN reviews UCLU Live Music Society’s production of ‘Rhapsody’. At first glance, the word ‘rhapsody’ conjures up visions of ecstasy and the heady feeling..
LAURIE CHEN reviews Egon Schiele: The Radical Nude, an exhibition at the Courtauld Gallery. Almost a century after his death, the powerful, subversive works of..
LAURIE CHEN reviews a secret gig hosted by Sofar Sounds. Sofar Sounds unofficially began in 2009, when two friends started hosting a series of small, intimate..
Laurie Chen takes us through Clark’s mesmerising new album. Recorded in a barn in the middle of the English countryside, 35-year old electronic producer Chris..
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