ROSIE HEWITSON reviews the National Theatre’s production of Sarah Kane’s Cleansed If Sarah Kane is known at all outside the little world of the British..

ROSIE HEWITSON reviews dreamthinkspeak’s ‘Absent’ at Shoreditch Town Hall. Immersive theatre is very much in vogue, and there are plenty of innovative British companies doing..

ROSIE HEWITSON reviews ‘Ant Street’ at the Arcola. Sitting on the sofa of a shabby flat in a nondescript Cuban neighbourhood, the Sanchez family is..

ROSIE HEWITSON reviews ‘Tonight I’m Gonna Be the New Me’ at Soho Theatre. There are few things more uncomfortable than unwittingly becoming the third wheel..

ROSIE HEWITSON reviews ‘hamlet is dead. no gravity’ at the Arcola Theatre. Austrian playwright Ewald Palmetshofer’s ‘hamlet is dead. no gravity’ is running as part..

ROSIE HEWITSON reviews ‘Sense of An Ending’ at Theatre 503. Nobody knows the death toll for the Rwandan genocide. The one hundred day massacre of..

ROSIE HEWITSON reviews ‘The Armour’ at the Langham Hotel. Standing proudly at the top of Regent Street, The Langham Hotel has played host to its..

ROSIE HEWITSON reviews ‘Lippy’ at the Young Vic. When it won a Fringe First in its run at The Traverse in Edinburgh last summer, I heard..

ROSIE HEWITSON reviews ‘The Diary of a Nobody’ at The King’s Head. ‘Why should I not publish my diary?’ asks the narrator of ‘The Diary..

ROSIE HEWITSON reviews Wet House, now showing at Soho Theatre. Live Theatre Newcastle’s production of ‘Wet House’ is on at Soho Theatre until 16th November,..

ROSIE HEWITSON reviews Confirmation at the Battersea Arts Centre. Winner of a Scotsman Fringe First Award, Confirmation has now been transferred to the Battersea Arts..