Sophie Parker reviews Cora Bissett’s autobiographical play at Soho Theatre. Thousands of musicians have nearly made it, only to be forgotten seconds after they crash..
SOPHIE PARKER reviews UCOpera’s Libuše at the Bloomsbury Theatre. University College Opera masterfully presented the British premiere of Bedřich Smetana’s 1872 opera, Libuše, at the newly refurbished..
SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Sweeney Todd at the Bloomsbury Theatre. The character of Sweeney Todd first entered the public consciousness..
SOPHIE PARKER reviews Blue Departed at the VAULT Festival. As part of the Vault Festival 2019, emerging playwright Serafina Cusack’s latest work Blue Departed explores the relationship between..
SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Edges at the Bloomsbury Studio. Edges, a piece of musical theatre written in 2005, is the..
SOPHIE PARKER reviews Clamour at the Roundhouse. Digital artists Simon Katan and Luke Fraser’s 2018 incarnation of their evolving show Clamour pitched itself as ‘an..
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