TESS LOWERY reviews Identity Crisis at Ovalhouse. “I didn’t know death could be so pretty,” gasps Phina Oruche, re-enacting the horrifying discovery of her beautiful 19-year-old..
TESS LOWERY reviews Bunny at the White Bear Theatre. 40 miles out from central London and buried under headlines about Britain First campaign’s offenses there, Luton has..
TESS LOWERY reviews Spaces, an original musical produced by UCL Musical Theatre Society. ‘Write what you know’, Mark Twain famously declared. Presented by UCL’s finest musical..
TESS LOWERY reviews the National Youth Theatre’s production of The Merchant of Venice. The National Youth’s Theatre’s REP Company was launched in 2012, in the..
TESS LOWERY reviews the revival of Tooting Arts Club’s award-winning ‘Barbarians’. It’s the 70s. The Beatles break up, Elvis croaks, 918 people die in the Jonestown..
TESS LOWERY reviews ‘Pyramid Texts’ at Soho Theatre. Geoff Thompson’s one-man play begins inauspiciously enough, with a weathered and silver-haired former boxer called Ray (Chris Fairfank)..
TESS LOWERY reflects on the effectiveness of performance art when dealing with issues of controversy. Content warning: -descriptions and discussion of sexual abuse -graphic descriptions..
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