MAYA BOWLES discusses how her experience of Small Island has evolved in light of the resurgence of the Black Lives Matter movement. The National Theatre’s..
SOPHIE CUNDALL discusses theatre, intimacy, and the virtual stage. TW: sexual assault. Theatre requires intimacy. Theatre is intimacy. By definition, theatre is intimate. Whether it..
ISABELLE OSBORNE reviews A Clockwork Orange at Bloomsbury Theatre. Performed by the UCL Drama Society in collaboration with Film Society, A Clockwork Orange captures the..
RONI MEVROACH reviews I Could Go on Singing at the Southbank Centre. This performance doesn’t leave you certain about many things, but one thing is..
ELLIE LACHS reviews Faithful Creatures at Camden People’s Theatre. Isobel Macleod’s Faithful Creatures, directed by Evie Robinson, is a revelation. It bravely strides away from..
SOPHIE CUNDALL interviews the director and producer of the upcoming production of A Clockwork Orange at the Bloomsbury Theatre. Since March last year, Srishti Chakraborty (Director)..
ELLIE LACHS reviews Swive [Elizabeth] at the Sam Wannamaker Playhouse. The Sam Wanamaker Theatre’s latest production, Swive, directed by Natalie Abrahami and written by Ella Hickson,..
SELMA REZGUI reviews Revolt. She Said. Revolt Again at Bloomsbury Theatre. A series of straws that break the camel’s back. Alice Birch’s Revolt. She said...