THEA NOWELL reviews the UCL Societies Showcase Night at the Bloomsbury Theatre. First opening its doors in 1968 as the Central Collegiate Building Auditorium, The..
CHLOE TYE reviews Phaedra I— at Tristan Bates Theatre. Phaedra, the story of a woman tormented by Aphrodite into desiring and pursuing her step-son, was reimagined in..
PHOEBE GARTHWAITE reviews Hear Me Howl at VAULT Festival. Lydia Rynne’s Hear Me Howl, directed by Kay Michael, was a one-woman whirlwind of comedy and..
SARAH SARAJ reviews Cuzco at Theatre503. Cuzco is a city renowned for its beautiful scenery and historic richness. Situated along the Peruvian Andes, it was..
THEA RICKARD reviews I’m Woman at Tristan Bates Theatre. Anybody acquainted with the one-woman show aired in Friends will understand my apprehensions before arriving at I’m Woman, written and..
SOPHIE PARKER reviews Blue Departed at the VAULT Festival. As part of the Vault Festival 2019, emerging playwright Serafina Cusack’s latest work Blue Departed explores the relationship between..
CHLOE TYE reviews Anomaly at the Old Red Lion Theatre. ‘Anomaly is not about men like Harvey Weinstein. Anomaly is a war cry for the women who have been left..
SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Edges at the Bloomsbury Studio. Edges, a piece of musical theatre written in 2005, is the..
SOPHIE PARKER reviews Clamour at the Roundhouse. Digital artists Simon Katan and Luke Fraser’s 2018 incarnation of their evolving show Clamour pitched itself as ‘an..
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