This week, the Bloomsbury Theatre will be the site of the London debut of the original musical, My Land’s Shore, courtesy of UCL’s Musical Theatre..
ROMILLY SCHULTE reviews Vlatka Horvat’s By Hand, on Foot at PEER Gallery. Vlatka Horvat’s latest exhibition, By Hand, On Foot, currently on display at PEER..
WILL PALMER reflects on the career of influential French New Wave director, François Truffaut, in his review of the BFI Southbank’s latest season dedicated to..
FREDA CHAN outlines the BFI Southbank’s latest film season, ‘Seen & Heard: Daring Female Coming-Of-Age Films’, running now. In its current film season, the..
BRYAN WANG discusses Joel Coen’s latest film, The Tragedy of Macbeth, reimagining the gloom of Shakespeare’s classic tragedy. Winter had quite perniciously dawned upon..
LILY PENG reviews Wang Gongxin’s In-Between at White Cube Mason’s Yard. Two glaring light bulbs swing like pendulums across a rectangular pool. One side of..
‘Saving life for later’: Covid and conceptions of time
GENEVIEVE MORGAN explores our distorted perception of time in light of easing Covid restrictions, through the words of several notable writers. Right now, with..
KELLY HOOY reviews Amulet, a gothic horror film on female rage, directed by Romola Garai. Romola Garai’s debut film, Amulet (2020), is a bold yet..
THOMAS COLEMAN reviews Four Quartets at the Harold Pinter Theatre. In this solo-show, Ralph Fiennes takes a staple of modernist literature and sets it to..
MADDIE DUNN reviews Gatsby: The Musical at Southwark Playhouse Scott Fitzgerald’s The Great Gatsby (1925) is an iconic work. Its status as a Classic, treasured..
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