Feeling the Fear: why we prefer horror films to literature (and we might be wrong)
BARNABY HOWE advocates horror writing as he interrogates our love of horror films.   Horror films hold a special place in many people’s memories. Maybe..
Reflections on the Controversies of Our Former Provost
ASYIA IFTIKHAR reflects on the controversies surrounding Professor Michael Arthur’s time as President and Provost of UCL, after he stepped down earlier this year with..
‘Fate: The Winx Saga’ is Devoid of IndividualityÂ
VINNY SANDHU discusses the issues with Netflix’s Fate: The Winx Saga (2021), the live action remake of beloved cartoon The Winx Club, which has replaced..
Bridget Riley: Paintings that Force You to Look Away
RUBY ANDERSON explores the feelings of frustration and bewilderment caused by Bridget Riley’s Op Art. The experience of looking at a Bridget Riley painting is..
ISABELLE OSBORNE gives an overview of FemThinkDo’s event Imperial Feminisms: Women in the British Empire. Set up by UCL graduates Chloe Tye and Lizzie Merrill,..
LOLA KAEPPELIN explores what it means to be a music ‘fangirl’ through her consideration of Hannah Ewens’ book Fangirls. Dear reader, in your childhood or..
MAYA WILSON AUTZEN reflects on how Virginia Woof’s 1929 polemic A Room of One’s Own is still poignantly resonant nearly a century later. Re-reading..
Niki de Saint Phalle and the Catharsis of Performance Â
EMMA GABOR discusses how Nikki de Saint Phalle’s Shooting Paintings utilise sensations of violence and rebirth to promote a journey of catharsis for both the..
ZAC ANDERSON discusses the power of SOPHIE and other pioneering trans women in the music scene, looking forward to their upcoming fundraiser for the Black..
Begin typing your search above and press return to search. Press Esc to cancel.
