‘What’s wrong with bacon and eggs, fish and chips, and Gary Glitter?’: Horace Ove’s Pressure (1976) and the dialectic of Black British identity
MISCHA GUREVICH reviews AFTERSUN by CHARLOTTE WELLS. Aftersun (2022) is Charlotte Wells’ debut film which premiered at Cannes Critics’ Week this May. It was..
Nanny: Captivating, Horrifying and Tenderly Honest
MATTEA CARBERRY reviews NANNY by NIKYATU JUSU. Nanny (2022), directed by Nikyatu Jusu, has shone bright at this year’s London Film Festival. It was..
MADELEINE KING reviews La Mif, a moving portrayal of coming of age within the social care system. La Mif (2021), or ‘The Fam(ily)’ in French slang,..
WILL PALMER reviews Marie Antoinette, Sofia Coppola’s candy-coloured homage to the misunderstood French queen. As part of the BFI Southbank’s Seen & Heard season, celebrating..
MATTEA CARBERRY reviews House of Hummingbird, Kim Bora’s tender exploration of a young girl’s precarious coming of age within her challenging environment. Set in..
MATTEA CARBERRY reviews Memoria, an immersive, sensorial film starring Tilda Swinton. In its opening shot, Memoria (2021) places us in the dark with Jessica, shrouded..
HANNA BERNARD reviews Licorice Pizza, which has earned director Paul Thomas Anderson Best Picture and Best Director nominations at the Academy Awards this year. With..
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