HARRY SPEIRS explores his poetic inspirations in preparation for his performances of Wistful at the Edinburgh Fringe this summer. I remember the first time..
GENEVIEVE MORGAN reviews Bliss at the Finborough Theatre, a play By Fraser Grace based on Andrew Platonov’s 1939 short-story. 1921. The Russian Civil War has..
ERIN CROASDALE reviews Space Station Earth at the Royal Albert Hall Space Station Earth began when British astronaut Tim Peake was searching for music to..
KIMI ZARATE-SMITH interviews Natanya Popoola. Natanya is an old friend. I have always admired her considered creative practice, the way in which she is inspired..
HANNA BERNARD reviews the revival of Foxes at Seven Dials Playhouse I’m pregnant, and the baby is yours’. One sentence and Daniel and Meera’s lives..
ISOBEL KNIGHT reviews Dirty Corset at the Pleasance Theatre. Strung on washing lines around the Pleasance Theatre are socks, wigs, and bandages; the seedy nature..
CHARLOTTE CADE contemplates travelling around London as a mindful experience. London is often labelled as busy, noisy, stressful, and overwhelming. Yet I find that..
MADELEINE KING reviews La Mif, a moving portrayal of coming of age within the social care system. La Mif (2021), or ‘The Fam(ily)’ in French slang,..
ELLA SARAX reviews Fashioning Masculinities: The Art of Menswear at the V&A. Menswear is undergoing a creative surge. It is undeniable that masculinity has taken..
ISABELLE OSBORNE interviews ROSIE BERGONZI about her musical career, exploring different creative opportunities and representation in the music industry. Rosie Bergonzi is a percussionist, workshop..
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