ALEX DARBY reviews Kae Tempest’s Paradise (2021) at the National Theatre. Kae Tempest’s Paradise boldly reworks Sophocles’s Philoctetes (409 BC) bringing it into the..
Pravda, reality and personal mythology: Memoirs of an Anti-Semite
 ROSA APPIGNANESI ponders the notions of mythologisation and truth, and how these relate to antisemitism, through the lens of Von Rezzori’s Memoirs of an Anti-Semite...
MARISA BECIROVIC reviews No Comply at Somerset House, as skateboarding pushes into the spotlight. Weave your way past Yinka Ilori’s lime coloured mesh booths and the dodgems..
ALEX DARBY reviews Lolita Chakrabarti’s Hymn (2021) at the Almeida. Lolita Chakrabarti’s Hymn is a story of platonic love between two black men. This..
WILL FERREIRA-DYKE sits down with DANIEL LUCEY to discuss the numerous facets of his practice, the experience of getting into and out of creative ruts,..
ELLIE LACHS reviews Paperboy at the Camden Fringe 2021. Paperboy, written by Eve Lytollis, is a raucous, albeit cantankerous play which aims to shed light..
MATILDA SYKES catches up with singer/songwriter MIA ELISABETH, discussing the potential catharsis of music for both artist and audience, and the paradoxical notion of intimately..
NATASHA POLOMSKI, a member of Demilitarise UCL, shares her views on UCL’s associations with the global arms trade, in an extended thought piece. The arms..
RUSHEEN BANSAL reviews The Killing of Two Lovers, Robert Machoian’s melancholic investigation into a deteriorating relationship.  Once in a while, a film comes..
WILL FERREIRA DYKE catches up with master’s graduate FLORA BRADWELL to discuss her final year at Slade, her creative process, and dream project, before the artist heads..
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