GEORGE DENNIS visits Estorick Collection Uncut, considering the presentation of abstract, politically charged modern Italian art. To saunter through galleries on a rainy day is..
BEN FRITH reviews the tenth anniversary revival of Tender Napalm at the King’s Head Theatre. ‘Woman’ and ‘Man’ dance with each other, sometimes apart,..
ZOSIA KIBAŁO reviews Vanara: The Legend at the Hackney Empire, exploring its message of unity and togetherness. Forest sounds echoed from the stage as I..
Miles Singer explores the etymology of the word ‘jazz’ and the self-determination of Black music. Throughout the twentieth and twenty-first centuries, white music executives and..
ARIANA RAZAVI reflects on Colum McCann’s novel Apeirogon, in light of her own experiences of the Middle East. I stumbled across Apeirogon (2020) by chance. It..
RUBY ANDERSON talks to recent Slade Graduate ELLIS PARKINSON about his interdisciplinary conceptual art practice that approaches topics such as hereditary power with a satirical..
LAURIE MILTON-JEFFERIES and RUBY ANDERSON chat to British artist GAVIN TURK about Piscio d’Artista, a project in which Turk sells cans of his own urine..
ISABELLE OSBORNE reviews the musical adaptation of Lady Chatterley’s Lover at Soho Screening Rooms. Following it’s run at the Shaftesbury Theatre earlier this year, the..
Begin typing your search above and press return to search. Press Esc to cancel.
