ELLA WILSON attends the first press launch for the National Theatre’s annual River Stage Festival. It’s a sunny day on London’s Southbank, and sprawled in..
ELLA WILSON reviews How to Survive a Post-Truth Apocalypse at the Battersea Arts Centre. In How to Survive a Post-Truth Apocalypse, writer and performance-poet Francesca Beard immediately..
ELLA WILSON reviews the LSDF New Writing Finals at the Duchess Theatre. This year, the London Student Drama Festival – now the country’s largest student-led..
ELLA WILSON interviews MATT TURBETT, festival director of the London Student Drama Festival. EW: So, tell me a little about your involvement with LSDF. MT: When..
ELLA WILSON and SELMA REZGUI review Lysistrata. Euripedes was right. There is no beast so shameless as woman. Aristophanes’ Lysistrata is his most frequently performed comedy,..
ELLA WILSON reviews UCL Drama Society’s Cataclysm Showcase. In ‘Cataclysm’, UCL Drama Society’s showcase of new student writing, chaos and destruction is all around, both..
ELLA WILSON and DANIEL LUBIN review UCL Drama Society’s As You Like It. Plastic trees and a pale patchwork backdrop. The neutrality of Georgia Green’s set..
ELLA WILSON reviews the Sex Workers’ Opera at Ovalhouse. Following its UK tour, Experimental Theatre’s unabashedly lewd, funny, and honest Sex Workers’ Opera comes to the Ovalhouse..
ELLA WILSON reviews part of Maiden Speech at Theatre N16. Lexi Clare Productions’ Maiden Speech is a festival of nine new plays which aspire to ‘[explore]..
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