Sophia Compton

Category: Sophia Compton

February 28, 2017

Interconnection with Advaya

SOPHIA COMPTON embraces Advaya Initiative’s philosophy of interconnectedness. Advaya’s day of talks, workshops, eating and meditation—centred on investigating the relationship between mind and body—is now..

February 3, 2017

Who was William Onyeabor?

SOPHIA COMPTON explores the career of the late, great William Onyeabor. On the cover of one of Onyeabor’s records, ‘Atomic Bomb’ is emblazoned in an..

August 24, 2016

Fury

SOPHIA COMPTON reviews Fury at Soho Theatre. Claiming (on the poster) that your play is ‘a modern day Medea’ sets a high bar for judgement: Medea is..

April 2, 2016

‘We are the same in this silly game’

SOPHIA TARA COMPTON reviews You Are Me and I Am You at the Vault Festival Imagine taking off each item of clothing you are wearing..

March 11, 2016

Herd Mentality

SOPHIA COMPTON and BECKY KELLS discuss their submission for this year’s Eye Want Change competition. “The transmission of affect explains how people’s thought processes change and..

December 11, 2015

Eye Want Change: Visualising The Future

SOPHIA COMPTON considers the use of smartphone technology in broadcasting news. I hope you will allow me to single out one one aspect of the..

November 25, 2015

WHITE

SOPHIA COMPTON reviews Edmund de Waal’s ode to White at the Royal Academy. White. Calling it a lack of colour is ungenerous. It is not..

March 14, 2015

The danger of (Too) Great Expectations

SOPHIE COMPTON reviews ‘Antigone’ showing at the Barbican Centre. A trip to the Barbican cannot be other than an event, a spectacle – I always..

October 31, 2014

Spine: Spellbinding

SOPHIE COMPTON reviews SPINE, now showing at Soho Theatre. Rosie Wyatt has the audience completely transfixed throughout her hour-long dramatic monologue, written by Clara Brennan...

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