ROMILLY SCHULTE reviews Vlatka Horvat’s By Hand, on Foot at PEER Gallery. Vlatka Horvat’s latest exhibition, By Hand, On Foot, currently on display at PEER..
LILY PENG reviews Wang Gongxin’s In-Between at White Cube Mason’s Yard. Two glaring light bulbs swing like pendulums across a rectangular pool. One side of..
MATTEA CARBERRY reviews Catherine Yass’s Falling Away at Ambika P3. Catherine Yass’s film installation, Falling Away, immerses the viewer in a world that subverts our..
JEAN WATT reviews the Bruce Nauman exhibition at Tate Modern, detailing how this bombardment on the senses is simultaneously humorous yet disarming. Over and..
Review: Refugees: Forced to Flee at the Imperial War Museum
IZZY DAVIES reviews Refugees: Forced to Flee at the Imperial War Museum, considering implications of voyeurism and sensationalism in the representation of such individuals. Right..
ENERZAYA GUNDALAI reflects on the role of technology in art through the Saatchi Gallery’s most recent exhibitions. Nothing can escape the glare of blue light..
MAILI NEGI iterates the Swiss Passport Office art experience at Galerie Thaddeaus Ropac. Tom Sachs’ 24-hour live art installation, Swiss Passport Office, gave privileged art..
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