LILY PENG reviews Wang Gongxin’s In-Between at White Cube Mason’s Yard. Two glaring light bulbs swing like pendulums across a rectangular pool. One side of..
‘Saving life for later’: Covid and conceptions of time
GENEVIEVE MORGAN explores our distorted perception of time in light of easing Covid restrictions, through the words of several notable writers. Right now, with..
KELLY HOOY reviews Amulet, a gothic horror film on female rage, directed by Romola Garai. Romola Garai’s debut film, Amulet (2020), is a bold yet..
THOMAS COLEMAN reviews Four Quartets at the Harold Pinter Theatre. In this solo-show, Ralph Fiennes takes a staple of modernist literature and sets it to..
MADDIE DUNN reviews Gatsby: The Musical at Southwark Playhouse Scott Fitzgerald’s The Great Gatsby (1925) is an iconic work. Its status as a Classic, treasured..
ELLA SARAX reviews Milica Tomović’s debut feature, Celts, considering its search into post-war Serbian minds. Celts (2021) is the debut feature film of Serbian..
The 2021 Ingram Prize and the Accessibility of Contemporary Art
ANGELICA NGAI considers the artworks shortlisted for the 2021 Ingram Prize, detailing the appreciation they have for artworks that directly reflect our contemporary moment. How..
SLADE ACTION is a student-led group at UCL’s Slade School of Fine Art, protesting the lack of diversity, inclusion and support at the institution, which..
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