NIALL ADAMS considers questions of creative ownership prompted by the release of ‘Harry Potter and the Cursed Child’. The launch of the newest work in..
NIALL ADAMS reflects on ‘The Danish Girl’ and the increasing exploitation of LGBT characters and narratives in Academy Award-winning films. There is no denying that The..
NIALL ADAMS reviews ‘wonder.land’ at the National Theatre. After last season’s enchanting re-imagining of Treasure Island, the National Theatre turns towards another children’s classic: Alice..
NIALL ADAMS reflects on the bicentenary of Jane Austen’s masterpiece, Emma. Handsome, clever and richly drawn; this year marks the two hundredth anniversary of Emma...
NIALL ADAMS reviews the London transfer of ‘How does a Snake Shed its Skin’. Marilyn Monroe, Margaret Thatcher and Virginia Woolf: three women living vastly..
NIALL ADAMS reviews UCLU Drama Society’s ‘Much Ado About Nothing’. On a crisp summer evening, Shakespeare’s comedy ‘Much Ado About Nothing’ came alive in UCLU..
NIALL ADAMS reviews ‘Othello’ at the Pack and Carriage. V&G Production’s ‘Othello’ transports Shakespeare’s tragedy from the Elizabethan stage to a Camden Bar with varying..
NIALL ADAMS reviews Richard Molloy’s debut play ‘The Separation’ at Theatre503. Following the tribulations and conflicts of a disintegrating family, ‘The Separation’ is a deliciously..
NIALL ADAMS reviews ‘Jack and the Beanstalk’ at the Greenwich Theatre Pantomime. One of the oldest theatre traditions. Every year hundreds flood the stage; many..
