SOPHIE CUNDALL discusses theatre, intimacy, and the virtual stage. TW: sexual assault. Theatre requires intimacy. Theatre is intimacy. By definition, theatre is intimate. Whether it..
SOPHIE CUNDALL interviews the director and producer of the upcoming production of A Clockwork Orange at the Bloomsbury Theatre. Since March last year, Srishti Chakraborty (Director)..
SOPHIE CUNDALL reviews Pandora’s Door’s ‘Zeus on the Loose’ at Fire, Vauxhall. This article contains references to racism, homophobia and ableism. Selling itself as a..
SOPHIE CUNDALL reviews UCL Drama Society’s Romeo and Juliet. From the moment you walk in through the creaking doors of the 19th century gothic church..
SOPHIE CUNDALL reviews the UCL Graters’ new Panopticon, coming to the Edinburgh Fringe. From the brainwaves of Felicity Wareing, Joe Andreyev, Luke Shepherd, Sam Dodhgson, Isobel Macleod and..
SOPHIE CUNDALL reviews the Edinburgh Fringe preview of Dining al Desko at Etcetera Theatre. From writer Alastair Curtis, with the direction of Philippa Lawford, comes..
SOPHIE CUNDALL reviews Camels at the Tabernacle. Camels, written and performed by Zac Peel and Patrick McPherson, directed by Catrin Harris is, quite simply, a..
SOPHIE CUNDALL reviews Ok, Bye at the VAULT Festival. In RedBellyBlack’s Ok Bye, directed by Vicki Baton, physical theatre innovatively combines live dialogue and voiceovers to..
SOPHIE CUNDALL reviews Medea Electronica at Ovalhouse. Pecho Mama’s Medea Electronica is a triumph. Euripedes’ tale of a woman scorned, pushed to the very limits of the..
SOPHIE CUNDALL reviews Ma Fille et Moi at the Drayton Arms Theatre. There are precious few other words to describe Marianne Badrichani and Edith Vernes’ Ma..
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