BEA BOWLES-BRAY uncovers the origins and legacy of playwright Harold Pinter. You would struggle to find anybody better suited to play the voice of Harold..
BEA BOWLES-BRAY explores how fear drives separatism in Kajsa Norman’s Bridge Over Blood River. ‘We shall build the society in which all South Africans, both..
Watch Literature Editor Bea Bowles-Bray in conversation with investigative journalist Kajsa Norman. CategoriesBea Bowles-Bray Literature Nick Mastrini Our Journal Savage Broadcast
Bea Bowles-Bray looks into the need for compassion in You Will Not Have My Hate by Antoine Leiris. On Friday 13th November 2015, three heavily armed gunmen..
BEA BOWLES-BRAY reviews August at the Milton Court Theatre. The poet Yvan Goll wrote that ‘decline is also a form of voluptuousness’; that there is..
BEA BOWLES-BRAY reviews Firebird at Trafalgar Studios. Descend into the bowels of Trafalgar Studios and enter one of London’s most intimate theatres, Studio 2. You might..
BEA BOWLES-BRAY reviews Mountain Language, One for the Road, and The New World Order at Milton Court Studio. A stone’s throw from The Gherkin, that..
BEA BOWLES-BRAY reviews ‘Herons’ at The Lyric. Wet-weather warnings are being issued for the Lyric Theatre in Hammersmith as Simon Stephens’ ‘Herons’ returns to London..
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