WILL PALMER reflects on the career of influential French New Wave director, François Truffaut, in his review of the BFI Southbank’s latest season dedicated to..
FREDA CHAN outlines the BFI Southbank’s latest film season, ‘Seen & Heard: Daring Female Coming-Of-Age Films’, running now. In its current film season, the..
BRYAN WANG discusses Joel Coen’s latest film, The Tragedy of Macbeth, reimagining the gloom of Shakespeare’s classic tragedy. Winter had quite perniciously dawned upon..
ELLA SARAX reviews Milica Tomović’s debut feature, Celts, considering its search into post-war Serbian minds. Celts (2021) is the debut feature film of Serbian..
WILL PALMER contemplates Céline Sciamma’s portrayal of childhood and grief in her latest film, Petite Maman. The most impressive part of Céline Sciamma’s Petite Maman..
RUSHEEN BANSAL reviews The Killing of Two Lovers, Robert Machoian’s melancholic investigation into a deteriorating relationship. Once in a while, a film comes..
BARNABY HOWE reviews R.J. Cutler’s documentary on Billie Eilish, recently screened by Bertha DocHouse in Bloomsbury. Billie Eilish’s rise to fame has been, in a..
PHYLLIS AKALIN reviews Emerald Fennell’s Oscar-nominated comedy-thriller Promising Young Woman (2020). Trigger warning: the following article contains mention of sexual assault, sexual violence and rape..
STELA KOSTOMAJ explores class origins in film and the phenomenon of poverty porn. When looking at the theme of “origins” in film, an important aspect..
‘India is two countries in one: An India of light and an India of darkness’
ISABELLE OSBORNE reviews Ramin Bahrani’s Oscar-nominated adaptation of Aravind Adiga’s Booker Prize-winning novel The White Tiger. Ramin Bahrani’s phenomenal The White Tiger offers an interior..
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