Accessible Streaming: The Significance of Independent Platforms
OLLIE DIXON examines how independent streaming platforms support underrepresented cinema. In the wake of the COVID-19 pandemic, streaming is the contentious issue of the..
IÑAKI IRIARTE discusses the nature of reality and spectatorship as explored through Michael Haneke’s film Code Unknown (2000). Mainstream cinema tries to feed you the..
MATILDA EKSTRÖM reviews I See It Differently, a series of short documentaries shown at Bloomsbury Festival 2020. I See It Differently, shown as part of..
RACH LEONG reviews the anxiety-inducing dark comedy Shiva Baby. ‘A Jewish girl, her sugar daddy and her ex-girlfriend walk into a funeral service’ has to..
BARNABY HOWE reviews Jeff Barnaby’s horror film Blood Quantum (2019), exploring its parallels to contemporary racism. Zombies, it feels like, are a bit overdone at..
ISABELLE OSBORNE reviews the documentary David Attenborough: A Life on Our Planet, which was recently released on Netflix. David Attenborough has had an incredible..
SHANTI GIOVANNETTI-SINGH reviews Bong Joon-ho’s 2003 feature film, Memories of Murder which was recently screeened as part of Camden Markets open air cinemas, done in..
VALERIA ROCCA explores the misrepresentation of teenage girls in cinema. Since the 1980s, thousands of Hollywood teenage-dramas have exploited the same archetypes and storylines in..
MATILDA EKSTRÖM reviews Christopher Nolan’s 11th feature Tenet, exploring its gender representations. Christopher Nolan’s new film Tenet is grand and engaging, especially in a time..
JARVIS CARR reviews Douglass Trumbull’s Sci-Fi Classic Silent Running. Over the past several months, at one point or another, we have all inevitably been faced..
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