ROBERT STEVENS reviews Bismillah! at the VAULT Festival. The Vaults’ location underneath Waterloo Station already sets the scene for Bismallah!. The play takes place in an underground prison at..

ROBERT STEVENS reviews FCUK’D at the Bunker. FCUK’D ends up giving far more than one initially expects. This one-man play is delivered entirely in verse by Will..

ROBERT STEVENS reviews Jane Upton’s All The Little Lights. It’s the small things that make a house a home, but the distinction is critical. All The Little Lights,..

ROBERT STEVENS reviews Living a Little at the King’s Head Theatre. Though initially seeming like an awkward play full of pantomime and crass jokes, once the rapport..

ROBERT STEVENS reviews Salomé at the National’s Olivier Theatre Playing at the National Theatre, Yaël Farber’s Salomé is a production that is, de facto, good...

ROBERT STEVENS reviews Becoming Mohammed at the Pleasance Theatre. Becoming Mohammed tells the unusual story of a ginger-bearded, white, middle-class Thomas (Jack Hammett) who has converted..

ROBERT STEVENS reviews Sublime at the Tristan Bates Theatre Sublime is a thought-provoking play about the lies we often encase ourselves in, set in the..

ROBERT STEVENS reviews The Fall at the Acklam Village Market. EmpathEyes’s The Fall is a new multimedia production, based on Tarsem Singh’s 2006 film of the same name, that..

ROB STEVENS reviews Abigail at The Bunker Theatre. Fiona Doyle’s Abigail subverts the simple boy-meets-girl romance story, bringing into focus unthought of realities and ramifications of childhood domestic abuse..

ROBERT STEVENS reviews Benighted at the Old Red Lion Theatre. As well as writing plays for GCSE syllabuses, it turns out J.B. Priestley wrote novels too...