BEATRICE KANIKA TECHAWATANASUK compares the artistic styles of Klimt and Schiele in the exhibition ‘Klimt / Schiele: Drawings from the Albertina Museum, Vienna’ at the..
MIER FOO discusses the digitalisation of the fashion industry. A staggering one billion people now use Instagram. Over 72% of these users purchase a product..
IMOGEN GODDARD explores the continuing relevance of Chaucer within a modern society obsessed with gossip and an increasing disregard of truth. Chaucer’s most well-known work..
HELENA WACKO explores the juxtaposition of aesthetics and crude reality in the work of photographer Mandy Barker. Every now and again, an image of sea..
MARIELLA BOMER discusses educational inequality and non-profit Teach First who are determined to change it. We live in a world of hyper-awareness, of instant accessibility..
CHARLES STEVENSON, from Fossil Free UCL, recounts the recent activity of the society amidst signs that UCL might finally be divesting. Earlier this term, climate..
JASPER NEWPORT explores the decadent party age of the 1920s and its moral implications in Fitzgerald’s literature. The Great Gatsby, perhaps the finest work of..
CHIARA MAURINO analyses the representation of the environment in Seamus Heaney’s poems ‘Act of Union’ and ‘The Bog Queen’. The landscape has always been a..
ENERZAYA GUNDALAI reviews Space Shifters at Southbank Centre’s Hayward Gallery. Beaded curtains, mirrors, translucent columns, and shining stainless steel orbs: these are the forms that..
BEATRICE KANIKA TECHAWATANASUK reviews Birds of Passage, a postcolonial take on the South American drug trade. Going beyond drug warfare and blood splattering, Birds of..
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